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Prof. Koshmrl showed us a scene in KOYANISQATSI and Philip Glass's score embedded itself in my head, so I deliberately went with it. It was more obviously a Glass homage before I toned the brass down.
the visuals are further exploration of very simple close-up footage of something unknown moving and using layered digital compositing techniques to get the final result.
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Today is a big concert (the 3rd) for The Player's Big Band of Busan, so I did this one mostly last night after class.
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