Saturday, February 28, 2026

02/28 special occasion

 0228 special occasion

the piano heard in mangled form here is me playing a famous song that is sung once a year for pretty much everyone you know, but I don't own the rights to it; i do own the rights to this though, but i'll never make a penny on it.

speaking of rights to stuff... 

One of Piet Mondrian's famous works is having trouble entering the public domain because of the estate which owned it since his death (..long enough). Their case is pretty weak from any perspective. In Gordontopia, greed is as repulsive as cannibalism, which it often comes pretty close to anyway.



Friday, February 27, 2026

02/27 blure dyel

 0227 blure dyel

color study; video first

to change things up, this one started with the video instead of music. I originally was meaning to make a long video, put music to it, then back into Davinci Resolve and chop it up, music and all. It didn't seem like a good thing to do once I got to the chopping up stage, so I didn't.

I'll save that idea for another one.

in the music, I tried something I heard done recently: a repeated arpeggio occasionally put through a modulator gate; only I did 2 different patterned gates and mixed between those and the ungated original; it's kind of subtle, but hopefully it makes it less boring to listen to.

i'm so happy with the kicks that I use.. bc I made them from scratch. the process was so simple that I'm embarrassed to give it away.. a sine oscillator ramping from ~150Hz down to 1Hz very quickly. that's it. no reverb, no filtering, no transient shaping, nothing. just that. crazy how pure and useful it is. I just throw it into a sampler and play it as is. I stole that idea from Alva Noto, btw. Who probably swiped it from someone else.

Thursday, February 26, 2026

02/26 contemplate

 0226 contemplate

inspired by a row of food freezers in a co-op grocery in England, and the usual cast of characters of course, this time especially (also from the UK) Brian Eno, Max Cooper and Four Tet.

if you listen to the freezers in the bbc video, they seem to be sounding a C# major 7 chord. I've noticed that some electric cars produce a major 7 chord (with some pitch bend wheel stuff going on), and I wonder if it's by design. If not, they got pretty lucky.

Now if only someone would design a jackhammer that sounded like a sleeping kitten. Contemplate that.

Wednesday, February 25, 2026

02/25 it's been educational

 0225 it's been educational

so I've left my job of 17 years and my last day job paycheck came today.

it was a good job for 11 years, then 5 years of it being a great job and 1 year of the whole thing falling to shit for reasons that are likely connected to a university-wide restructuring and not me.

Fine. That's life on late-capitalism Earth. but the part I can't stomach is that the administration, including the person that took me from good job to great job, completely ghosted me during the whole process and never had the courage or the decency to explain things to my face (or in any way at all), despite my efforts to find out. They got rid of every course I created from scratch, all of which were popular and always had students on waiting lists to enroll.. hoping (presumably) that I would tire of the crap courses they offered me and leave of my own accord or suck it up and eat shit until I reached retirement age. They were right about one thing.. and I quote the aforementioned person here.. "Artists are all alike.. they don't want to be tied (sic) [down]." 

Let's go back a bit.. 

When they offered to "promote" me to a position which required I basically live to do their every whim for "significantly more pay" and practically live on campus, but declined to ever tell me what that pay raise might be.. I declined, of course. Since then I'd felt a frosting over from the department, though no complaints were cast about me from students or admin alike. Then they lied about why my courses were dropped from the curricula. They said, "students simply were not interested in taking the courses".. which seemed odd to me considering they were perennially popular and I was pretty consistently on the Dean's List (top 10% collegewide scores on student's evaluations for professors). Shortly after being told this, I got several emails from students asking why they couldn't take my courses. The administration had lied to me and the students. They had removed the courses before the registration period had ended. I was forced into a position where my number of teaching hours had fallen below the contracted amount, by no fault of my own. They were boxing me out. I still don't know why, officially.

But being the drama-averse, nonconfrontational fellow that I am, I quietly planned my escape. I did my few remaining courses with dignity and enthusiasm as always, kept my head down around the office, and when the time came to opt to renew my contract for next year, I did not. No raised voices, no speeches, no fingers. I didn't even make the rounds to say goodbye. The office staff, upon my formal declination to sign a new contract, acted surprised. One asked, "But why?" to which I calmly said, "I'm not going to work here anymore." They looked as if no one had ever done this before retirement age. I guess they were too used to being the hangman, or too used to the enjoyed advantage of everyone being terrified of not having a job. ("Worker insecurity", as Allen Greenspan included as a main factor for the strong economy in mid-90s U.S.). I didn't give them the satisfaction. My wife and I have always believed in trading a bit of "security" (but what is job security anymore, really?) for a lot of freedom, within reason, of course.. and this is well within reason to us.

Only a few of my colleagues know I've left. I mentioned it to a couple of them who are good friends of mine just the other day. They didn't know. Some I expect will wonder why they haven't seen me around and I'm a little curious how long it will take before I get texts from them.

At least I left with my dignity intact. Financially, we will be fine. Better than fine, in fact, due to good planning and always having lived within our means. (no kids, no car, no mortgage or rent, no crushing debt (anymore) and no expensive habits or routines) Now I don't have that feeling of "oh man, what crap are they going to tell me to do that's outside of my expertise this semester?" The semester begins next week..

..for them. 


[today's piece's video features scenes from campus over the years]

Monday, February 23, 2026

02/23 peace in the tribe

0223 peace in the tribe 

Yesterday was Kenneth “K” May’s birthday party at OL’55. He is a social nexus for many of us in the arts community here in Busan. Many performances. Lots of catching up. Much warmth.

I witnessed two wounds in our dear fabric begin to heal. I don’t know what will happen in the future, but it was deeply moving to me. I love these people so much. To see fraying and unravelling is troubling. I try my best to stay out of people’s affairs. I don’t like drama. So when friends return to being friends, I myself am healed.


Friday, February 20, 2026

Wednesday, February 18, 2026

02/18 overflow

 

0218 overflow

a poem by Patrick:

Overflow


Unexpected snowy day

Fluffy flakes dawdling down

Casually accumulating 


We haven't used the fireplace in awhile...

Shall we? 


Cars pull in. 

Hugs and kisses 

Greetings 


It's been too long. 


Dinner at a long table.

A toast! 


Our boy is finally home.


Monday, February 9, 2026

02/09 baguettes d'anniversaire

 

0209 baguettes d'anniversaire

yesterday we surprised Seb by pummeling him with baguettes and screening his favorite film of all time.. Speed Racer at a local bar. it was fun and the voices heard in today’s piece were grabbed from when he walked in.

the images may resemble baguettes, but only coincidentally.. which is fine by me.

I haven’t played guitar for a long time, I hope it’s not overly obvious. This one sounds a lot like some of mine from 2013. like this one.

Sunday, February 8, 2026

02/08 the shire derby affair

 

0208 the shire derby affair

a play on the names Delia Derbyshire and Pierre Schaeffer, my favorite of the early tape music/sound artists; an ode to musique concrete and other cut-up techniques.

it occurred to me that some might watch/listen to this and have genuine concerns about my mental state. don’t worry. I’ve never been better, whatever that means. (i’m fine)

it also made me wonder if it might be seen/heard as deliberate weirdness. it didn’t feel weird making it and i wasn’t “being weird” while doing it, so much as i was not trying to suppress anything for the sake of acceptance in the “normal” world. i felt like a child playing a game with myself where the rule was cut up everything and arrange it in the way i want while my folks aren’t in the room. shit gets thrown about, but not randomly at all. in a calculated way. this took a lot more curation/arranging/fussing over than it might appear.

it also occurred to me that in Derbyshire’s and Schaeffer’s day this would’ve taken months to do (weeks with the right drugs) and FAR more effort that i would ever be able to summon. so Delia and Pierre.. I salute you forever!


Saturday, February 7, 2026

02/07 jahaha

 

a couple of wonderful comments from friends:

Patrick relates a kind of synesthesia-like experience when listening to 01/02. he recalls the feeling of a temple he visited once in the rain and a “looming bass” puts him on edge. He’s a musician I respect a lot and he also has a great talent for verbally articulating abstract things concisely and coherently. I’m pretty bad at that, I think.

Mary asked me if her getting an ominous feeling in one of my recent ones (02/04 improbably) was my intention. it was, in a way. Though it made me think about what the role of composer is in relation to the listener. While it’s a perfectly valid question (what was the artist hoping to express here?), I feel that the burden of communication lies with the composer and not with the listener. Whatever the piece makes the listener think or feel is legitimate and real, even if it’s not what the composer was aiming for. Maybe this is through my experience with film music, where most often the music must highlight the film’s emotional intentions from moment to moment. 

During my last go at dailies in 2013, I had a friend kind of chastise me for terrifying him with a piece I made. I just thought it sounded cool, but it gave him the legitimate creeps and I think he was not in the mood for that when he heard it. Maybe, I thought, since he was a father of a little one at the time, that his protective impulse took over. I don’t know. 

When I was starting out composing things in my early teens, my dad once remarked, “why is everything you make in a minor key?” I thought it was a strange criticism, but now I think he was wondering if he was a bad father for raising such a depressed kid. I wasn’t depressed, just a bit emo. 

Mary expressed joy over “getting it right”, but I don’t think it should be a puzzle to figure out. Mary’s impression means more to me than whatever my intentions were. I’m honestly happy that people listen to my music with their honest feelings. As far as I’m concerned, any feelings that they register are CORRECT, and the composer’s intentions are secondary at the most. 

If it evokes, emotes, and/or provokes, I’m happy.


0320 meanwhile

  0320 meanwhile above the madness